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It doesn’t hurt that I find the ost horribly melodramatic at times, and it completely rips me out of scenes I would normally give a shit about. It makes emotional moments so manipulative that it’s almost lame? There are pages of the manga, same arcs mind you, where I was feeling sincerely emotional, because Horikoshi’s art and paneling can be that legitimately powerful. Recently, I got sick with both the flu and COVID in the same week, and while I was in my various fever states straining to hold my body together after having it internally beaten with a leather belt, mha was the only show I could actually pay attention to since everything else was “too thinky for me.” Even so, I pondered to myself, “Am I too old for shonen anime adaptations?” I know I’m not too old for shonen, because I like earnest camp affair like Fist of the North Star, and shows like Yu Yu Hakusho and Hunter x Hunter are among my favorites. Hell, I LIKE the My Hero Academia manga as a whole despite the constant issues that’s plagued its narrative pacing in the last two years. But, when I was half-awake—half-dead, watching—gobsmacked, Bakugo garrulously repeating exposition the audience should already know in the midst of a fight between Deku and Shiguraki that mostly amounted to speed line infused panning shots; only to then have one of the most important and cathartic emotional climaxes of the series be depicted as a FUCKING STILL FRAME, I considered that maybe for shonen anime, I was. Izuku Midoriy, a.k.a. Deku, was born without any Quirk, until he met All Might who passed his Quirk “One For All” to him. Izuku got accepted into U.A. 10 En Sevilen Mekanlar: casino para yatırma taktikleri Moldova Gece Hayatı. Shigaraki had a conflict with Re-Destro. Shigaraki recalled his painful childhood memory and awakened a new power.